"In defense of my 30 year old self, he had an editorial mandate to amuse and provoke, unlike the 59 year old Alan Moore who insults, condemns and hurls baseless accusations at his contemporaries and their work in almost every interview he gives. I find it tragic but quite pertinent to this piece that the loudest voice in our business – the one that carries the furthest and is taken most seriously by the mainstream media – is the one that offers nothing but contempt and denunciation, with barely a single good word to say about any of the many accomplished and individual writers currently working in mainstream comics, let alone the wealth of brilliant indie creators.
Does he ever, for instance, use his high media profile to do anything other than steer potential readers away from modern comic books and their creators – while over-playing his own achievements and placing himself centre stage at every turn? How hard would it be to say something encouraging, positive, or hopeful about the generally improved standard of writing in all comic books these days? Or at least say nothing at all.
And if I may untangle the logic behind so much of his hectoring: Moore constantly reiterates the idea that all modern comics are copied from stuff he did in the ’80s – and they’re all rubbish!
Is he genuinely saying that his influence has been entirely malignant? If he actually believed that, I’d almost feel sorry for him. I see my own influence all over the place and I’m quite chuffed."
— Grant Morrison about Alan Moore
You mustn’t worry about me.
My father often told me that only those with weak and cowardly natures abandon themselves to sorrow. Suffering is a vanity.
Poets have a right to vanity and pride; they steal the power of creation from the gods.
They remake the world with words and in the image of their dreams.
The rest of us must then live in it.
— Grant Morrison, The Invisibles.